摘要
探析中国古代审美思想史可见,其中贯穿着以珠-水关系喻示文-道关系的形象化思维方式构成的文脉,且这个方式的意向性建构与潜在逻辑关系所蕴含的审美心理、美感经验、审美理想,乃至隐秀说的思维结构及其生成机制,皆可溯源到老子庄子审美思想等;这审美心理结构方式不仅在南北朝化入了刘勰的文论体系而奠基为重要的审美原则,且其中潜在的逻辑关系和要义下启意境说,即它融入了古典美学主潮而呈现着鲜明的民族特色,也佐证着中西文化之别。
Exploring the history of ancient Chinese aesthetics,the author discovers that ＂the pearls and jades in the depth of rivers and streams that are said to produce square and round ripples＂ is a metaphor for the aesthetic mode about the relationship between literature and Taoism.Besides,the aesthetic psychology,ideal,experience and even the thought structure and formation mechanism of ＂metaphorical excellence in expressions＂ could be traced to the aestheticism of Lao Zi and Zhuang Zi.Such psychological structure of aesthetics was integrated into Liu Xie＇s literary theory system during the Southern and Northern Dynasties and became the fountain of some artistic concepts and other theories in the history of Chinese classical aesthetics.That is,it blended into the main stream of Chinese classical aesthetics with remarkable national characteristics and demonstrated the differences between Chinese and Western cultures.
出处
《中国海洋大学学报（社会科学版）》
CSSCI
2011年第1期115-119,共5页
Journal of Ocean University of China(Social Sciences)
关键词
珠-水关系
文-道关系
隐-秀
审美原则
the relationship between the pearls and rivers
the relationship between literature and Taoism
metaphorical excellence in expressions
aesthetic principle
