摘要
赵树理文艺创作中的三晋文化特质主要体现在两个方面:第一,其价值基点是农民的生存需求第一,现实存在至上。诸如对农民当下的物质需求及建筑在这一基础之上的情感需求、政治需求等等的高度重视、关注与真实的反映。诸如重实用的文艺观及在这一文艺观指导下的"问题小说""中间人物"的真实含义;第二,是在守护这一价值基点中的立场坚定,胸怀开放。诸如赵树理对自身艺术主张的固守及其与"广场""庙堂"的对应、"误读",诸如赵树理对种种"新知"的及时、尽量的汲取,但这种汲取及其汲取的程度,一定是以农民自身的现实生存为依据,并一定要落实到农民自身的现实生存上,而不是"新知"本身。这种既开放又务实的特点,与山西与上党的地理环境及其与政治中心的距离不无关系,甚至有着很重要的关系。
Generally speaking, there are two typical Jin Culture characteristics reflected in Zhao Shuli＇s works： Firstly peasants＇ basic rural material needs, with reality as the upmost interests. For example, all their emotional needs and the degree of attention they paid to political needs are actually determined by the material needs they are possessing. It is a kind of attention and truth relationship. That is the same to mention the term ＂trouble novel＂ and ＂internal character＂. Secondly his firm attitude and open mind towards the point of value, such as his pursuit of his art principles and the acceptance of ＂new knowledge＂; his response to ＂square＂ and ＂temple＂ ideas, etc. It can be seen that it is their material needs rather than the ＂new knowledge＂ that could guarantee for what Zhao could acquire. Open-minded but realistic, zhao Shuli shows his artistic features which have something to do with geographical and political environment of Shan Xi province, especially that of Shang Dang area.
出处
《晋阳学刊》
CSSCI
2011年第1期22-30,共9页
Academic Journal of Jinyang
关键词
赵树理
三晋文化
价值基点
Zhao Shuli
San Jin culture
value base
