摘要
作为表现主义美学的代表克罗齐与科林伍德都坚持"艺术即表现"的主张,都认为艺术是情感的表现,艺术是一种想象活动。但两者的观点并不完全相同,科林伍德在继承了克罗齐的基本思想,并对其进行了补充和发展,使表现主义美学理论更趋完善。
Both as the representatives of Expressionist Aesthetics,Croce and Collingwood adhered to ＂art-is-expression＂ view and acvocated that art finds its expression in emotion,and art is a kind of imagination.However,their views were not fully indentical at all,since Collingwood made supplement and improvement on his continuation of Croces＇s basic thinking,which had advanced expressionist aesthetics to a comparatively complete level.
出处
《红河学院学报》
2010年第5期51-53,67,共4页
Journal of Honghe University
关键词
克罗齐
科林伍德
表现
继承
发展
Croce
Collingwood
Expression
continuation
improvement
