摘要
在分析书法审美的根源与实质的基础上对中国书法的文化支撑儒释道的审美进行了阐释与比较,提出了书法相对统一的审美观为自然与和谐。并对书法的审美实质、审美意识与方式、审美境界、审美言意进行了研究与探讨。指出书法的审美实质是"精神关照"、审美意识是"澄怀观道"和"澄怀味象",审美方式为"直观感悟"和"味无味"。中国书法的审美境界可分为感境界、知境界、识境界、智境界和慧境界;书法的审美言意是"得意忘言"。汲取古人的智慧采用赋、比、兴的诗性语言来对书法的审美进行阐释,则是书法审美观在书法意象审美中的必然选择。
Based on the analysis of the source and essence of calligraphy aesthetics,the author has made an interpretation and comparison of the Confucian,Buddhist and Taoist aesthetics of the culture support of Chinese calligraphy,proposing that the relatively uniform aesthetic standards of calligraphy feature nature and harmony.The author has also conducted research and discussion on the aesthetic essence,consciousness,way,realm and speech and ideas,pointing out that the aesthetic essence of calligraphy is the ′spiritual care′;the aesthetic consciousness is the ′clearing the mind and finding rule′ and ′clearing the mind and smelling scenes′;the aesthetic way is the ′intuitive perception′ and ′tasting the non-tastiness′;the aesthetic realm of Chinese calligraphy can be separated into sensing realm,perception realm,recognition realm,intelligence realm and wisdom realm;the aesthetic speech and ideas of calligraphy is to grasp the ideas but forget the speech.It is an inevitable choice for the calligraphic aesthetic standards in the calligraphic image aesthetics to make the interpretation of the calligraphic aesthetics by learning from the wisdom of the ancients and employing the poetic language such as description,comparison and association.
出处
《西安交通大学学报（社会科学版）》
CSSCI
北大核心
2010年第5期79-83,共5页
Journal of Xi'an Jiaotong University：Social Sciences
基金
陕西省社会科学基金项目(201040)
关键词
书法审美
审美境界
中国书法
审美观
calligraphy aesthetics
aesthetic realm
Chinese calligraphy
aesthetics standards
aesthetics
