摘要
魏晋之后,士文人的生存形态明显不同于此前的士人,由儒家的价值生存形态转向了自然生存形态。源于老庄的自然生存,被转化为现实中可行可见的自在和逍遥,自然生存成为士文人日常生存中明确的美学目标。从阮籍和嵇康等追求返回生命本然状态的自在和逍遥,到"外在自然"走入两晋士文人的生存视野,再到陶渊明返回南山实现"内在自然"和"外在自然"合一的诗意栖居,魏晋的士文人构建了一种完全不同于儒家伦理生存的自然生存美学。
After the Wei and Jin Dynasties,literati＇s mode of existence obviously differed from previous men of letters,and their Confucian value existence mode shifted to natural existence mode.The natural existence originated from Laozhuang was transformed into a freedom or liberty and it has become a definite aesthetic goal in literati＇s daily life.The men of letters in the Wei and Jin Dynasties built a totally different natural aesthetics of existence from that of Confucian ethic existence,that is,from Ruan Ji＇s and Ji Kang＇s pursuit for the return to the freedom and liberty of life＇s inherent status,to ＂external nature＂ that possessed the horizon of literati in the two Jin Dynasties,and then to Tao Yuanming＇s unity of ＂internal nature＂ and ＂external nature＂.
出处
《学术交流》
CSSCI
北大核心
2010年第4期31-35,共5页
Academic Exchange
关键词
魏晋士文人
自然生存
生存美学
内在自然
外在自然
诗意栖居
men of letters in the Wei and Jin Dynasties
natural existence
aesthetics of existence
internal nature
external nature
poetic dwelling
