摘要
列斐伏尔的日常生活批判理论可视为20世纪后半叶思想发展的一个里程碑。就文学和日常生活的关系而言,列斐伏尔在归纳出19世纪以降的失败和挫折、二元对立、奇迹这三大文学主题后,推崇波德莱尔把目光转向当代日常生活,使奇迹题材见出了勃勃生机和原创精神。超现实主义也讲究奇迹,但它一方面终结了传统艺术对日常生活不屑一顾的傲慢,一方面也继承了19世纪文学对日常生活的攻击。奇迹的要害在于将日常生活中的事物、事件陌生化,从而通过对资本主义现代性的批判,酝酿日常生活的革命。就此而言,人必须首先变成"日常的人",然后才能变成"完全的人"。要之,后现代时间转换空间的特点、日常生活审美化的特点,以及文学愈益被边缘化的特点,都可望在列斐伏尔的日常生活批判中追根溯源。
As a landmark in the development of Western thoughts in the late 20th century,Lefebvre's critique of everyday life shows a keen perspective to the relation between literature and everday life since the 19th century,from which three themes are induced:the failure or defeat,the duality,and the marvelous.While appreciating Baudelaire turned himself to everyday life hence presented a dynamic originality in his miracle works,Lefebvre also praises surrealism,for his marvelous theme at one hand terminated contempt traditional arts added on everyday life,on the other hand,inherited the attack upon daily life from the 19th century literature.The secret of the marvelous therefore is to alienate things and events in everyday life,in order to intiate an everyday revolution through the critique of the bourgeois modernity.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第5期66-74,共9页
Journal of Tsinghua University(Philosophy and Social Sciences)
