摘要
晚明是小品创作走向自觉的辉煌时代。生活在晚明的徐渭,其小品创作不仅在数量上甚丰,而且在质量上具有极高的审美价值,在晚明小品的发展史上占有极其重要的地位。其小品远出七子派,"上继唐宋派余绪,下开公安派先声",陆云龙编辑出版的《皇明十六家小品》将其推举为第一家;晚明执文坛牛耳的领袖人物袁宏道更是发出"今耶古耶"的激赏,认为其文章在明朝数得上第一。更为可贵的是,其小品在创作上有自己明确的审美取向,倡导"彼之古者即我之今",彻底否定复古主义,强调"本色",追求"新奇"。
The late Ming Dynasty is a glorious era of essay production moving towards self-ruling. Xu Wei, living in late Ming Dynasty, wrote not only numerous, but also high - quality aesthetic essays. He obtained a crucial position in the development of essay writing in late Ming Dynasty. His works outran those by seven - writer school.“He inherited from schools of writers in Tang and Song Dynasties,and started the new school of Gong＇an.”In Essays by Sixteen Writers edited by Lu Yun- long, Xu Wei was put on the top of the list. The leading writer in literary production of late Ming Dynasty, Yuan Hongdao ranked Xu Weirs essays as the best. It is also noteworthy that his works bear finn and clear aesthetic orientation, which advocates that “the past belongs to the present”, completely denying the revivalism and stressing “innate character” and pursuing “novelty”.
关键词
小品
审美取向
本色
新奇
essay
aesthetic orientation
innate character
novelty
