摘要
从社会心理学的角度看,"粉丝"现象已经不再是单纯追星的产物,而逐渐成为一种具有文化特色和影响力的社会交往现象。"粉丝"与普通受众的区别在于"粉丝"是具有相同或相近心理基础的群体,而从这层意义上看,普通受众是非群体。在"活生生"的舞台表演中,"粉丝"与"粉丝"之间的关系主要是竞争与合作的关系;"粉丝"与偶像的关系则是暗示与模仿的关系,并且从暗示到模仿是一个渐进的心理行为发展过程。
If it is viewed from a sociological perpectiveers, the fans phenomenon is no longer purely idol chasing or admiration, but it has become a culturally situated and powerful social interactive event. Fans mark themselves off from the ordinary audiences through forming a community of their own based on shared psychology. Fans on stage relate to each other as contestants and collaborators; whereas their interaction with their idols through insinuation and imitation allows them to undergo a gradual psychological transformation.
出处
《湖南城市学院学报》
2009年第2期58-62,共5页
Journal of Hunan City Univeristy
基金
湖南省哲学社会科学基金资助课题(07YBA051)
关键词
“粉丝”
受众
群体
暗示
模仿
Fans
audience
community
insinuation
imitation
