摘要
景观的"意、境、流"概念是设计理论中提纲契领的重要因素,对它们的把握和解读决定了景观设计的层次和命运。中国传统的意境相关理论可分为3类,一类源于文学创作与批评,一类应用于绘画理论,另一类来自禅宗思想,由于中国唐代以后文人的特殊性而产生3类之间的互用与模糊。文章对此进行了梳理,进一步提出景观"意"的概念,将其对应于文学,比喻为不同体裁与手法的层次。境有3种层次:物质的环境、事件的情境、熨帖于内在的景观心境。景观不是静止不动的图片或是瞬间的东西,它本身是复杂的体系,提出"流"的概念是为了强调这一体系性,它的层次包括空间序列上的流,观赏方式组合的流,时间历史溯源的流,以及更高层次上的流。
To understand and grasp the Im, Condition ＆ Flow of landscape is very important in landscape design. Chinese traditional artistic conception theory has three origins, one from literary composition and criticism, one applied in painting theory, and one from Zen. Since the Tang Dynasty, these three streams have been blurred. This article addresses on this and brings forward Landscape Irn as one of landscape design methods. About landscape condition, there are three levels： objective, story context and perceptive. Landscape is not an action-less picture or momentary, but a complicated system. The concept of Flow emphasizes on this which is comprised in several levels, which include： flow of space series, flow of viewing manner, and flow of time, etc.
出处
《中国园林》
2008年第9期91-94,共4页
Chinese Landscape Architecture
关键词
风景园林
传统意境
语义学解读
景观意
景观境
景观流
landscape architecture
traditional artistic conception
semantic reading
Landscape Ira
Landscape Condition
Landscape Flow
