摘要
豫剧的唱腔,从板式结构、调式、旋律、节奏以及语言音调和句法组成等诸方面看,划分为豫东、豫西两个声腔体系,而且整个豫剧唱腔中不同风格不同特点的各个流派及其唱派,均分属这两大唱腔体系中。豫剧的发展之所以能这么迅速,有一个重要的原因就是其唱腔音乐两大声腔体系的合流。
Henan Opera tune, from the angle of plate structure, mode, melody, rhyme and tone, language syntax, as well as other aspects of composition, can be divided into two categories： the eastern singing system and the western singing system including the whole Henan Opera singing schools of different styles and with different characteristics. There is one important reason why the development of Henan Opera has been so swift, i.e. the convergence of their two tune systems in the singing process.
出处
《南阳师范学院学报》
CAS
2008年第7期61-63,共3页
Journal of Nanyang Normal University
关键词
两大声腔体系
豫剧
合流
two tune systems
Henan Opera
convergence
