摘要
豫剧二本腔唱法,传统上多见于豫东调声腔中,声高音细,具有粗犷奔放、挺拔高亢之特点。板式变化丰富多彩,旋律曲调质朴明朗,昔日深受广大听众、观众的喜爱。它的唱法是根据生理学、解剖学中声带“弛振”原理,把咽壁调节成特殊的状态发出的一种纯假声声音,富有穿透力和表现力。豫剧“二本腔”的唱法,是一条解决男声唱腔中高音问题的训练方法。
Traditionally, the style of the falsetto in Henan opera is mostly accepted in the ＂Eastern Henan Tune＂ which is high in pitch and thin in voice, with the features of boldness and unrestrainedness, forcefulness and sonority. The variation of the type of meters is rich and abundant, and the melody is simple and bright, which makes it very popular with the audience. On the basis of the ＂tension and relaxation＂ principle of the vocal cords in physiology and anatomy, this style adjusts the wan of pharynx to a special state so that it can give out a kind of pure falsetto which is penetrating, expressive and long-lasting, the style of falsetto in Henan opera can he served as a way of training to solve the problem of high pitch of male voice in the operatic vocal music.
出处
《河南大学学报（社会科学版）》
北大核心
2007年第1期166-168,共3页
Journal of Henan University(Social Sciences）
关键词
豫剧
二本腔
真声
假声
Henan opera
falsetto
the comparatively realer voice than falsetto
