摘要
《语丝》周刊作为中国现代文学史上第一个以散文创作为主的文学期刊,其诞生顺应了当时的历史潮流。语丝社北京时期以《语丝》周刊为阵地进行"社会批评"和"文明批评",是典范的同人刊物。迁至上海后,同人立场发生嬗变。表征可归纳为四个方面:同人启蒙立场逐渐消解,批评本体色彩逐渐弱化,编辑主体和创作主体由一体到分离,出版策略与文化理想由反抗到迎合。作为文学媒介,性质嬗变的原因是:刊物生存的大小环境即文化生态环境和"文派制衡"局面起着决定性作用,而同人间思想尤其是编辑理念的分歧是文学媒介性质嬗变的"信号灯"。
Yu Si Weekly is the first literary periodical which publishes the prose creation primarily in modem Chinese literary history. It was born with historical inevitability. Yu Si society advocates civilization criticism and social criticism in Beijing period with Yu Si Weekly as its weapon, which is the model of colleagues periodicals. After moving to Shanghai, because of the changes of colleagues standpoint, which is from construction to tion and displays the obvious characteristics ： Enlightenment standpoint of colleagues is disintegrating style of criticizing main body becomes weaker and wealer, the editing main body separates from the disintegra- gradually, the creation main body ,the publishing strategy and the culture ideal change from revolution to compromise. As the literary medium, Yu Si Weekly changes due to the big and small surroundings, namely the cultural ecology and balance among different schools. However, the different editting concepts are the signal for the change.
出处
《山西师大学报（社会科学版）》
CSSCI
北大核心
2008年第3期73-78,共6页
Journal of Shanxi Normal University(Social Science Edition)
基金
陕西师范大学研究生培养创新基金(2007CXS006)
关键词
语丝
同人立场
批评本体
出版策略
文派制衡
Yu Si Weekly
colleagues standpoint
criticising main body
publishing strategy
balance amongschool
