摘要
鼎是商周礼器中的代表性器物。在它身上，既凝聚了现实生活的世俗性，又饱含古人的文化想象。本文从其创制入手，通过分析上古文献，阐述商周时代鼎在人们心目申的“神圣／世俗”二元结构存在。
The Ting was the representative utensil of the Shang and Chou Dynasties. It contains in itself both the secularity coming from the real life and the ancients＂ cultural imaginary. Starting with exploring the Ting＇s origination, and by analyzing the literatures in Pre-Chin period, This treatise elaborates the dualistic structure of ＂sacred/secular＂ existing in the people＇s hearts during the Shang and Chou Dynasties. It ends by pointing out the roots of this notion that consisted of the archaic technique worship, the ancestor worship mixed with the idea of witchcraft.
出处
《西北民族研究》
CSSCI
北大核心
2008年第2期40-46,共7页
Journal of Northwestern Ethnic Studies
基金
教育部人文社会科学重点研究基地重大项目“中国古典文艺美学的现代价值”(批准号码:05JJD750.11-44211)的阶段性成果
关键词
鼎
神圣/世俗
技术崇拜
祖先崇拜
Ting
sacred/secular
technique adoration
ancestor worship
