摘要
在中西美学史上,"审美"概念都以审美经验为中心。在西方美学中,审美经验经历了从自律性向他律性的转化,"审美"概念的内涵也从非功利、无目的的变为功利的、实用的。中国美学对于"审美"概念的理解始终叠加着国外美学理论的交光互影,但也不乏对于中国本土传统美学观念的传承,在总体上更具开放性、普适性和兼容性。从中西美学史的嬗变可见,"审美"概念的内涵十分宽泛,这与它所依托的审美经验的包容性和弹性有关。
＂Aesthetic＂ concept is centered on aesthetic experience in Chinese and western aesthetic history. In the west the aesthetic experience undergoes a transformation from self-discipline to discipline by others and the connotation of aesthetics also changes from non-utilitarian, purposeless one to utilitarian and pragmatic one. Chinese understanding of aesthetics is influenced by foreign theory, but inherits native tradition concepts. Generally speaking, it is more open, general and compatible. From these transformations it is clear that the connotation of ＂aesthetic＂ concept is very general and it is related to the compatibility and flexibility of aesthetic experience. This article defines the connotation of this concept.
出处
《求是学刊》
CSSCI
北大核心
2008年第1期96-102,共7页
Seeking Truth
基金
国家社科基金项目"审美文化学的定位与理论"
项目编号:06BZX067
教育部人文社会科学规划基金项目"审美文化学导论"
项目编号:05JA750.11-44030
关键词
审美概念
审美经验
中西美学史
分析
aesthetic concept
aesthetic experience
Chinese and western aesthetic history
analysis
