摘要
"七"这个数字,其作为"成数"的整体性、美好而吉祥的内蕴,是人们以之名篇的内在原因。《七发》虚拟性的主客问答、七事一文而"六过一是"的总体框架、渲染铺陈的描写手法等,奠定了"七"体的基本格局体制。此后的此类作品具有"仿规太切"、"递相摹拟"的弊病,但也有所变化,如主题由"问疾"转变为"招隐"、情感倾向由"刺"变为"颂美"、构篇更为均衡、语言渐趋清丽流畅等。
About Seven, because of its integrality as an accomplished number, and its beautiful and propitious connotative meaning, people used it to name the essay. Qi Fa, established the elementary structure of ＂Seven-Style＂, in which there was fictitious interrogation reply system, the texture that seven stories constituted an essay and one more thing than six, and the exaggeratingly, elaborately descriptive means. After that, some disadvantages appeared in the works of Seven-Style, such as strict imitation within formers＇ rules, and mutual simulation of precedents. However, some changes had appeared. The subject of Seven-Style had changed from visiting patients to inviting hermits; the emotional inclination had changed from being cynical to complimentary; the structures were more proportionate ; and the language were more delicate and more mellifluous, and so on.
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2007年第5期53-59,共7页
Journal of Peking University(Philosophy and Social Sciences)
关键词
“七”数
《七发》
“七”体
形成发展
文体特征
the number seven
Qi Fa
Seven-Style
formation and development
the features of the Seven-Style
