摘要
"三言"是古代白话短篇小说的高峰,其中的爱情小说不但数量最多,取得的成就也最高。通观这些作品,除了表现丰富的主题,塑造大量典型的人物形象之外,它们都拥有一个"大团圆"的故事结局。这一现象的形成依靠作者精心的情节设置,并与儒家的"中和"精神、话本迎合读者接受心理及编纂者冯梦龙面对情欲与理学复合与失衡时,做出的情感选择息息相关。
＂San Yan＂ was the peak of the vernacular short story in the ancient times, in which the love novels not only have a large quantity, but also the achievement which obtained is also highest. Observing these works overall, performance the rich theme and mold the massive typical character imagery, they all have one ＂the happy ending＂ story final result. This phenomenal formation depends upon the author careful plot establishment and with the Confucians ＂neutral＂ spirit, the story-telling script caters to the readers＇ accepted psychology and the compiler Feng Menglong facing the passion and Neo-Confucianism compound and unbalanced, makes the emotion choice is closely linked.
出处
《牡丹江师范学院学报（社会科学版）》
2007年第4期24-26,共3页
Journal of Mudanjiang Normal University(Social Sciences Edition)
