摘要
环境美学是当代美学的一个理论热点。它诞生的根源是以理性中心主义和人类中心主义为核心理念的工业化进程对自然环境的破坏。通过追思其核心范畴——“自然”,我们看到“自然”原本有三重含义:对象性“自然”、感受性“自然”和源初性“自然”。源初性“自然”本身即是一个审美境界。此境界的呈现,意味着理性中心主义和人类中心主义同时得以彻底消解。据此,我们便可获得解决自然环境恶化及相关问题的启示和途径。源初性“自然”是环境美学可靠的理论根基。
A common theoretical concern in contemporary aesthetics, environmental aesthetics was bred in response to destruction of natural environment in the course in industrialization driven by rational centralism and human centralism as the two basic conceptions. A recall of ＂nature＂——a key factor in this theoretical consideration——shows that ＂nature＂ here is of three different meanings： ＂nature＂ as the object, ＂nature＂ as the impression, and ＂nature＂ as the origin. ＂Nature＂ as the origin is itself an aesthetic realm, the presentation of which means a simultaneous removal of rational centralism and human centralism. Therefore, ＂nature＂ as the origin is a reliable theoretical basis of environmental aesthetics, from which we can derive inspirations and paths for solving such problems as the worsening of natural environment.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2006年第6期61-67,共7页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
关键词
自然
环境美学
人类中心主义
理性中心主义
审美境界
“道”
nature
environmental aesthetics
human centralism
rational centralism
aesthetic realm
＂Tao＂
