摘要
审美理解与审美同情是审美主体间性的基本构成。理解使自我主体与他我主体在认识论上得到沟通,同情使自我主体与他我主体在价值论上得到沟通。审美主体间性弥合了二者的分离,实现了充分的理解与同情,达到了审美理解与审美同情的同一。西方美学的认识论传统导致重视审美理解而忽视审美同情,中国美学偏向审美同情,二者可以互补。
Aesthetic comprehension and aesthetic sympathy are essential parts of aesthetic inter-subjectivity. Comprehension can connect self-subject with other-subject in epistemology. Sympathy can connect self-subject with other-subject in axiology. Aesthetic inter-subjectivity eliminates their estrangement, makes possible the sufficient comprehension, sympathy and correspence with each other. Modem Western philosophy and aethetics are confined to epistemological tradition and emphasize the meaning of aesthetic comprehension. The original Chinese philosophy and aesthetics are rooted in axiological tradition and emphasize aesthetic sympathy. A more perfect inter-subjectivity aesthetics can be built upon the dialogue between western aesthetics and eastern aesthetics.
出处
《厦门大学学报（哲学社会科学版）》
CSSCI
北大核心
2006年第5期43-48,共6页
Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
关键词
审美理解
审美同情
主体间性
inter-subjectivity, aesthetic comprehension, aesthetic sympathy
