摘要
鲁迅对复仇的提倡旨在解构封建道德中奴隶式的“怨恨”,进行国民性改造。《孤独者》中魏连殳向民众报复的悲剧,唤起的是启蒙者对孤独的澄明与担负。《铸剑》中黑色人的复仇则是创作主体以艺术的方式解读历史时,在感性与理性、艺术表现与现实实存、情感逻辑与价值判断所形成的悖论中进行的“绝望的抗战”。
LU Xun＇s calling for revenge aimed to analyze slavery ＂hatred＂ in the feudal morality and reform the character of Chinese people. In The Lonely Man, the tragedy of WEI Lian-shu＇s revenge on the public aroused the clarification and understanding of the enlightening people to the lonely. The black man＇s revenge in Sword Forging, when the author was explaining the history in art, is a despairing struggle in the paradox formed between sense and sensibility, art representation and actual reality, sensibility logic and value judgment.
出处
《天中学刊》
2006年第3期107-112,共6页
Journal of Tianzhong
关键词
国民性改造
担负孤独
绝望抗战
national character reform
shoulder the solitude
despairing struggle
