摘要
钱锺书《宋诗选注》不选《正气歌》受到过“批判”也引起过讨论,日本小川环树氏为其辩护而写的书评,认为此应有钱氏自己的标准,是个尚未解开的“谜”。《钱锺书手稿集》对此提供了答案,包蕴着丰富的诗学内涵,体现了他以文学为本位的批评立场。钱氏随后赠小川氏《宋诗选注》一书,并亲笔改动大小九十余处,约三千多字,小川氏题名“钱氏手校增注本”而珍藏。这些“改笔”,有的为再版本所采入,而有润饰增删,有的未被吸收,有的改了又恢复旧貌,等等,都清晰地留下钱先生学术思考的印迹,为研究《宋诗选注》提供了生动的新材料。
It has been 'criticized' and thereby discussed on that The Song of Justice is excluded out of Qian Zhongshu's Annotated Selection of Song Poetry. Why Ogawa Tamaki(小川环树), a Japanese scholar, apologized for Qian's right to stick to his criteria of literary criticism in a related commentary has remained an unsolved question until the recent publication of The Collection of Qian Zhongshu's Manuscripts. In fact, abundant poetizing contents are revealed in it, showing that Qian stressed on 'literary ontology '. For this reason, Qian offered a copy of Annotated Selection of Song Poetry to Ogawa Tamaki and gave more than ninety alternations and amendments to it by handwriting, which has provided a vivid example for studying Annotated Selection of Song Poetry.
出处
《文学遗产》
CSSCI
北大核心
2006年第4期4-10,共7页
关键词
《宋诗选注》《正气歌》“一字相背分训”“书证”重于“物证”
Annotated Selection of Song Poetry (《宋诗选注》), The Song of Justice (《正气歌》), 'the contradicted explanations of a word' (“一字相背分训”), 'Documentary evidence' is more important than 'material evidence'
