摘要
喜剧观念的现代转型,终结了以内求为主的古典喜剧精神,为中国的现代喜剧带来了崭新的风貌。正是在这种历史情势下,现代讽刺喜剧突破了旧有的格局,一跃成为中国喜剧的主流。中国的现代幽默喜剧开始了冲破重在表达自身传统的努力,加强了与社会现实的联系。喜剧艺术在较大的范围内突破了“悦笑”的单纯基调,生成出一种喜悲圆融的复合式的喜剧审美情感;与此同时,中国现代喜剧还体现出了一种从传统的代言叙述到现代的对话呈现的新的话语追求,这不仅意味着话语外在形式的变化,而且也标志着话语内在机制的转换。中国现代喜剧由此对中国话剧艺术的整体提升做出了重要而独特的历史性贡献。
The modern ideological transformation of Chinese comedy puts an end to the spirit of internal demand in classical comedy and turns a new page in modern Chinese comedy. It is in this historical situation that the modern Chinese satirical comedy breaks through the old restrictions and becomes the mainstream of Chinese comedy. The Chinese comedy of humor also makes its effort to discard the habit of forming one’s own tradition and begins to strengthen its connection with the social reality. The art of comedy aims not only at making people laugh, but at generating a complex aesthetic feeling that combines comedy with tragedy. It also embodies a transition from the traditional representative narrative to modern dialogue, which indicates not only a change of outside form of discourse but also that of the internal mechanisms that pursues for a new discourse. The modern Chinese comedy has made a unique and important historical contribution to the elevation of Chinese plays.
出处
《文艺研究》
CSSCI
北大核心
2006年第5期95-101,共7页
Literature & Art Studies
