摘要
中国古代的喜剧美具有一种崇生意识的原始基因,但其受到了封建正统文化的长期压抑和扭曲。20世纪初,随着封建传统权威的颓落和科学思想、个性意识的传播,备受压抑的生命意识逐渐被激活。中国现代喜剧的实际创作由此产生了一种重视“趣味”和着意发掘丰满人性的整体趋向。
There is an primal gene of apotheosis of life in ancient Chinese comedies, but it was chronically oppressed and contorted by feudal orthodox culture. With the decline of the feudal traditional authority and the broadcast of the scientific ideas and individual consciousness in the early 20th century, the chronically - oppressed life consciousness was gradually activated. An unitary tendency of the emphasis on ＂interest＂ and an intentionally searching for profuse humanity thereby appeared in the actual creation of Chinese modem comedies.
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2006年第3期90-97,共8页
Journal of Northwest University：Philosophy and Social Sciences Edition
关键词
中国
现代喜剧
生命意识
趣味
China
modern comedies
life consciousness
interest
