摘要
奠基于形而上学的传统美学理论面对进入消费社会以来的审美经验已经无力作出有效的回应,而在先验终结、特别是语言学转向之后盛行的符号学方法在拒斥形而上学的同时隐蔽地抽空了生活经验,成为有内在矛盾的新整体主义思想;广义现象学和存在论提供了非先验的超越可能性,但必须接受不断涌现的新经验的检验以保证其作为知识的严格性而不是变成新的形而上学。要理解当代正在发生的审美经验,需要回到历史与生活情境,发现当代的新感性并以此作为当代美学建构的基础。
The traditional aesthetics theory based on metaphysics can＇ t response to the new aesthetic experience in consumer society. The method of semantics prevailing after the apriority ending and especially after the linguistic turn brings up the living experience secretly while spuming metaphysics and becomes the nee- unitilism thought with internal paradox. The generalized phenomenology and ontology offer the transcendental possibility of un - apriority, but it must receive the test of new constant appearing experience to guarantee the strictness as knowledge and not become nee - metaphysics. To understand the contemporary aesthetics experience need to come back to history and living context in order to find the new sensibility and to make it the base of contemporary aesthetics construction.
出处
《北方论丛》
北大核心
2006年第3期42-46,共5页
The Northern Forum
关键词
消费社会
符号学
存在论
历史情境
apriority
consumer society
semiology
the theory of being
the historical context
