摘要
寺院讲唱主要由经师和唱导师担任,他们互相配合,以转读和唱导为讲经化俗的手段。僧讲和尼讲对举,侧重于讲经者身份性别的差异;而僧讲和俗讲并提,则意味着讲经内容和听讲对象的差异。面对俗众的讲经,以通俗故事为讲唱主体,以劝输寺资为讲唱目的。这种俗讲源于寺院传统的唱导,俗讲僧尊为法师,俗讲在唐时因帝王的支持而发展到鼎盛。俗讲技艺由寺院走向民间,成为民间转变,终又进入宫廷,受众遍布唐五代时中土社会的各个阶层。
The preaching by means of speaking - singing in the monastery was mainly conducted by masters and directors who cooperated to interpret and sing the texts of the Scriptures to secularize them. The monks and the nuns also took the turns, the content varied with the different sexes of the speaker, while that conducted by the sacred or the secular was decided by the different audience. The preaching to the laymen centered on the popular stories for the purpose of persuading the audience to donate. Such kind of secular preaching, originated from the traditional monastery singing in which the monks were respected as the masters, was supported by the emperors in Tang Dynasty and flourished to its prime. The techniques of the secular preaching spread from the monastery to the earthly world to have become the folk ＂Zhuanbian＂ and then, in turn, it was adopted in the court, the audience consisting of all the fields in Mid - China during Tang Dynasty and Five Dynasties.
出处
《河南教育学院学报（哲学社会科学版）》
2006年第1期39-44,共6页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
转读
唱导
俗讲
转变
＂Zhuandu＂
＂ Changdao＂
the secular preaching
＂Zhuanbian＂
