摘要
赋本为《诗》“六义”之一,乃一种表现手法,衍变为文体之一种,在彼此之消长融会中,具有了直陈、铺叙、构篇的功能。至中唐,元白受乐府及新兴叙事文学———传奇之刺激,由杜甫转向写实而开其端的赋法,被元白重新发现,不但作为诗歌的表现手法,亦运用于篇章建构,使诗歌的叙事功能得到了很大的发展,委婉详备、曲尽事情,为诗歌的叙事说理、谈性论道开辟了途径,在一定程度上强化了诗歌的散文化倾向,实乃对于盛唐情韵浑融之诗境的反动。赋之再发现,其影响所及,遂开宋人诗风之先声。
Fu （赋） was one of the writing styles of Poem ＂Liuyi＂ （六义）, which had features of narration in details and arrangement of sections and chapters, in the Mid-Tang Dynasty, Yuan Zhen and Bai Juyi were encouraged and stimulated by Yuefu （乐府） and the rising narrative literature. Thus the method of Fu presenting the reality was a new finding by Yuan Zhen and Bai Juyi, which was not only regarded as the writing style of poem, but also was used in constructing sections and chapters, which made the narrative function of poem develop greatly and consolidated the tendency of poem transforming into prose. The new finding of Fu and its influence affected the Poem stvle in Song Dynasty.
出处
《西北师大学报（社会科学版）》
CSSCI
北大核心
2006年第2期35-40,共6页
Journal of Northwest Normal University(Social Sciences)
基金
国家社会科学基金项目(03BZW013)
关键词
赋
元稹
自居易
理论贡献
Fu （赋）
Yuan Zhen
Bai Juyi
theoretical contribution
