摘要
美声唱法分为“靠前”与“靠后”两大学派。“靠前唱法”强调声音的明亮、靠前、打在硬口盖上,集中于面孔前部(鼻腔、面罩)部位;“靠后唱法”则强调声音的厚度、力度、喉腔开度大,音的立体柱状感及音的落点感受较深。它们有机结和点在于声音的明亮集中、圆润、丰满,两派是互补的辩证统一的。
There are two schools of singing ways in bel canto. “The singing way of tront” stresses on voice＇s sonority and front, and centers voice on the front of face （nasal cavity and face plate） ; “the singing way of behind” stresses on voice＇ s thickness, strength, and width of throat cavity. Combining the two ways can result in voice sonorous, concentrated, rich and pearshaped. The two schools are complements of each other and they are a dialectical unity.
关键词
美声
靠前唱法
靠后唱法
母音
bel canto
the singing way of front
the singing way of behind
mother tongue
