摘要
纪录片从诞生之日起,它的拍摄手法就一直存在激烈的争论,也产生了"直接电影"与"真实电影"两大派系:直接电影派认为事物的真实随时可以被摄像机记录下来,真实电影派却坚持认为人为的环境能使隐蔽的真实浮现出来。两大学派都在追求"真实"。那么当被摄对象面对摄像机镜头时,他们是真实的吗?他们的观点能通过镜头呈现出来吗?许多人都在找寻着答案。通过一些实例可以看到,被摄者的观点可以呈现,但不能完全呈现。
Since the birth of documentary, the shooting technique has been discussed all the time. As a result, there were two film factions ＂Cin ma direct＂ and ＂ Cinema verite＂. The opinion of ＂Cin ma direct＂ faction is that the reality of things can be shot whenever possible, however, the ＂ Cinema verite~＂ faction insist that the reality of things will appear under the interference of people. But the two factions all search for the ＂reality＂. So are they themselves when the people standing before the camera？ Can the view of them be expressed by the camera？ Many people are looking for the answer.
出处
《开封大学学报》
2007年第4期56-57,共2页
Journal of Kaifeng University
关键词
纪录片
被摄者
创作者
观点
person before the camera
the creator
the view
