摘要
本文通过对莫高窟“得眼林”壁画时代、内容 及西魏、北周壁画风格的简析，从两晋南北朝的绘画美学思想入手，对“得眼林”壁画的置 阵布势、形神刻画及艺术风格方面作了论述。
Aptanetravana, namely the Forest of the Recovered Eyes ca n be seen in the Dunhuang Mogao Caves no.285 of the Western Wei and no.296 of the Northern Zh ou. The one in cave 296 was painted from right to left with seven scenes starti ng from the soldiers' action and ending at the conversion of the 'bandits' in ch ronological sequence. Between the scenes the painter arranged landscape designs. For the men and horses, only the major motions were drawn. The landscape was hi ghly abstracted patterns. The mural in cave 285 is painted earlier but the arranggement of plots is better than that in cave 296.
出处
《敦煌研究》
CSSCI
北大核心
2001年第3期37-41,共5页
Dunhuang Research
关键词
莫高窟
“得眼林”壁画
艺术
北朝
Dunhuang Mogao Caves
Aptanetravana
art
the N orthern Dynasties
