摘要
《赫索格》是美国作家索尔·贝娄展示现代知识分子处境与命运的代表作。笔者认为 ,主人公赫索格的灵魂受难与现实处境的煎熬体现着两种截然不同的希腊神话精神———日神与酒神。尼采将其归纳为“梦境”与“迷醉”两种艺术精神。本文拟以这两种艺术精神为轴心 ,试图为解构赫索格的精神流变做一新的尝 ,以寻获一种人类理想的自我完善之途。
Critical consensus seems to suggest that Herzog is Saul Bellow's best work that reflects a professor-intellectual's dilemma in our modern times. The author of this essay holds that Herzog's spirited resistance to the forces of reality involves a good deal of Apollo and Bacchus, the two distinctive immortals in ancient myths of Greece. F W Nietzsche sees the two mythic immortals as the representation of two distinctive agents of art, which he respectively termed as “illusion” and “intoxication”. This essay attempts to apply the two agents of art to the study of Herzog's contemplation for spiritual salvation, laying its focus on a new self-made spiritual identity.
出处
《四川外语学院学报》
2000年第2期21-23,共3页
Journal of Sichuan International Studies University
关键词
精神流变(程)
赫索格
梦境
迷醉
stream of mental consciousness
Herzog
illusion
intoxication
