摘要
受西方女性主义的影响,中国的女性意识一直在不断觉醒,并在电视剧中有不少表现。20世纪80年代随着大众文化在中国兴起,逐渐成为中国的主流文化,大众文化的商业性、消费性、娱乐性无疑悄悄影响着电视剧中女性意识的表达,"躯体修辞"和"欲望叙事"曾经成为电视剧彰显女性意识,反抗男权社会的方式,但是却又悄悄落入男权社会"窥视欲"的樊笼之中。新时期,一群女性编剧电视剧逐渐突破传统女性意识的表达,诉求女性自我情感需要,认同男女性别差异性平等,从男女二元对立逐渐走向两性和谐,她们的这种表述方式为女性主义研究带来新的生机和活力。
Influenced by Western feminism,feminist consciousness in China has been constantly awakening,and has shown its sign in TV drama.Since 1980 s,mass culture has gradually become the mainstream Chinese culture.Mass culture with commercial-oriented,consumer-oriented,and entertainment-oriented features has inevitably affected the expression of feminist consciousness in TV drama.'Corporeal rhetoric'and'desire and narrative'were once used to highlight feminist consciousness and resist against the patriarchal society,but now are trapped by'voyeurism'of the patriarchal society.In the new era,TV dramas written by agroup of female screenwriters gradually break through the traditional expression of feminist consciousness.They tend to meet the emotional needs of women,and admit the equality of men and women while aware of gender differences.Accordingly,men and women are no longer opposites,but partners,and their expression has brought new vigor and vitality to the study of feminist consciousness.
出处
《上海师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2014年第5期109-115,共7页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
关键词
大众文化
女性意识
女性编剧电视剧
叙事策略
mass culture,feminist consciousness,TV dramas written by female screenwriter,narrative strategies
