The paper is a part of the dissertation to reveal the psyche of the Ruler as the authorized man created the ＂space＂ in the Monument National in Indonesia, through investigation related metaphysically data as a proce...The paper is a part of the dissertation to reveal the psyche of the Ruler as the authorized man created the ＂space＂ in the Monument National in Indonesia, through investigation related metaphysically data as a process to having qualities becoming to ＂Indonesia＂. By using the Grounded Theory research method, which refers to Glaser and Strauss, phenomenological observations and Hermeneutic-lnterpretive method of Ricouer, the process of deriving quality form an architectural presence is revealed. By connecting the Spatial Archetype Theory of LobeU, the paper reveals the ＂inflated ego of the Ruler as Leader＂ was manifested by symbol rays of Radiant Axes civilization through Soekarno＇s unconsciousness thought of space. The presence of architecture the National Monument serves not merely as a city landmark, but more than that, it roles as the center of orientation and development for a Jakarta Master plan conceived 50 years ago and still maintained to this day as the basic of the Jakarta City Planning 2030 In effect, this means that the National Monument plays the role as the axis of Indonesia＇s modem civilization.展开更多
The motif of the knight is frequently used in medieval art; it has made a surprising comeback in the 19th century through artists, such as the Pre-Raphaelites or the Viennese artists at the end of the 19th and the beg...The motif of the knight is frequently used in medieval art; it has made a surprising comeback in the 19th century through artists, such as the Pre-Raphaelites or the Viennese artists at the end of the 19th and the beginning of the 20th century. Gustav Klimt interprets this motif in a very personal manner, which throws a totally different light on the status of the knight than traditional interpretations. The aim of this paper is to indicate and analyze the very features that make Klimt＇s knight different from that established through the historic, literary, and artistic canons and reveal it as closer to Nietzsche＇s modern man--afflicted by the malady that the philosopher diagnoses and whose symptoms he describes as follows： A weakened personality, and the absence of a strong will, associated with the specific age and culture.展开更多
文摘The paper is a part of the dissertation to reveal the psyche of the Ruler as the authorized man created the ＂space＂ in the Monument National in Indonesia, through investigation related metaphysically data as a process to having qualities becoming to ＂Indonesia＂. By using the Grounded Theory research method, which refers to Glaser and Strauss, phenomenological observations and Hermeneutic-lnterpretive method of Ricouer, the process of deriving quality form an architectural presence is revealed. By connecting the Spatial Archetype Theory of LobeU, the paper reveals the ＂inflated ego of the Ruler as Leader＂ was manifested by symbol rays of Radiant Axes civilization through Soekarno＇s unconsciousness thought of space. The presence of architecture the National Monument serves not merely as a city landmark, but more than that, it roles as the center of orientation and development for a Jakarta Master plan conceived 50 years ago and still maintained to this day as the basic of the Jakarta City Planning 2030 In effect, this means that the National Monument plays the role as the axis of Indonesia＇s modem civilization.
文摘The motif of the knight is frequently used in medieval art; it has made a surprising comeback in the 19th century through artists, such as the Pre-Raphaelites or the Viennese artists at the end of the 19th and the beginning of the 20th century. Gustav Klimt interprets this motif in a very personal manner, which throws a totally different light on the status of the knight than traditional interpretations. The aim of this paper is to indicate and analyze the very features that make Klimt＇s knight different from that established through the historic, literary, and artistic canons and reveal it as closer to Nietzsche＇s modern man--afflicted by the malady that the philosopher diagnoses and whose symptoms he describes as follows： A weakened personality, and the absence of a strong will, associated with the specific age and culture.
