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The National Monument in Indonesia: The Visual Art in Sacred Space

The National Monument in Indonesia: The Visual Art in Sacred Space
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摘要 The paper is a part of the dissertation to reveal the psyche of the Ruler as the authorized man created the "space" in the Monument National in Indonesia, through investigation related metaphysically data as a process to having qualities becoming to "Indonesia". By using the Grounded Theory research method, which refers to Glaser and Strauss, phenomenological observations and Hermeneutic-lnterpretive method of Ricouer, the process of deriving quality form an architectural presence is revealed. By connecting the Spatial Archetype Theory of LobeU, the paper reveals the "inflated ego of the Ruler as Leader" was manifested by symbol rays of Radiant Axes civilization through Soekarno's unconsciousness thought of space. The presence of architecture the National Monument serves not merely as a city landmark, but more than that, it roles as the center of orientation and development for a Jakarta Master plan conceived 50 years ago and still maintained to this day as the basic of the Jakarta City Planning 2030 In effect, this means that the National Monument plays the role as the axis of Indonesia's modem civilization.
作者 Yuke Ardhiati
出处 《Journal of Literature and Art Studies》 2012年第9期872-880,共9页 文学与艺术研究(英文版)
关键词 Khora Radiant Axes civilization Soekarno's inflated ego Tugu National the modem civilization axis 印度尼西亚 空间原型 纪念碑 视觉艺术 城市规划 现代文明 形而上学 雅加达
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