1 Introduction Dao Zang(《道藏》The Daoist Classic Collection)is an important portrayal of Daoist thought,teachings,and doctrines.The version that has been passed down to the present day is Dao Zang written in the Min...1 Introduction Dao Zang(《道藏》The Daoist Classic Collection)is an important portrayal of Daoist thought,teachings,and doctrines.The version that has been passed down to the present day is Dao Zang written in the Ming dynasty[Zheng Tong Dao Zang(《正统道藏》Dao Zang in the Zhengtong Era)and Wan Li Xu Dao Zang(《万历续道藏》The Supplement of Dao Zang in the Wanli Era)],which contains more than 1,400 types of literature with an all-encompassing content.Therefore,in the study of ancient Chinese culture,Dao Zang is a topic that cannot be neglected,and it has attracted the attention of scholars at home and abroad.At the beginning of the 19th century,with the increasing cultural exchanges between China and the West,European scholars began to develop a strong interest in traditional Chinese culture.As an important component of Chinese culture,Daoism and its classic literature,Dao Zang,became the focus of attention for European scholars.Against this backdrop,a research craze for Daoism gradually emerged in Europe,giving rise to a number of influential scholars and research achievements.The works included the French sinologist Maxime Kaltenmark’s(康德谟)Legend of the Immortal:Biography of the Ancient Daoist Immortal(《列仙传:古代道教仙人的传说传记》,1953),John Lagerwey’s(劳格文)Supreme Secret:Overview of Daoism in the Sixth Century(《无上秘要:六世纪的道教总汇》,1981)from the Far Eastern Academy of France,and Chronicle of Daoist Studies in the West(《西方道教研究编年史》,1989)edited by French scholar Anna Sei-del,to name a few.展开更多
基金financed by the grants from the Youth Program of the National Social Science Foundation(No.19CZJ023)the second batch of approved projects of the Zhejiang Cultural Research Project(No.23WH27ZD).
文摘1 Introduction Dao Zang(《道藏》The Daoist Classic Collection)is an important portrayal of Daoist thought,teachings,and doctrines.The version that has been passed down to the present day is Dao Zang written in the Ming dynasty[Zheng Tong Dao Zang(《正统道藏》Dao Zang in the Zhengtong Era)and Wan Li Xu Dao Zang(《万历续道藏》The Supplement of Dao Zang in the Wanli Era)],which contains more than 1,400 types of literature with an all-encompassing content.Therefore,in the study of ancient Chinese culture,Dao Zang is a topic that cannot be neglected,and it has attracted the attention of scholars at home and abroad.At the beginning of the 19th century,with the increasing cultural exchanges between China and the West,European scholars began to develop a strong interest in traditional Chinese culture.As an important component of Chinese culture,Daoism and its classic literature,Dao Zang,became the focus of attention for European scholars.Against this backdrop,a research craze for Daoism gradually emerged in Europe,giving rise to a number of influential scholars and research achievements.The works included the French sinologist Maxime Kaltenmark’s(康德谟)Legend of the Immortal:Biography of the Ancient Daoist Immortal(《列仙传:古代道教仙人的传说传记》,1953),John Lagerwey’s(劳格文)Supreme Secret:Overview of Daoism in the Sixth Century(《无上秘要:六世纪的道教总汇》,1981)from the Far Eastern Academy of France,and Chronicle of Daoist Studies in the West(《西方道教研究编年史》,1989)edited by French scholar Anna Sei-del,to name a few.
