摘要
李渔是清初一位具有多方面成就的文学家。多年来,学术界更多重视对其戏曲理论和戏曲创作的研究,而对其小说创作则有所忽视。《无声戏》是李渔的第一部白话短篇小说集,至今还未被专门研究过。及于此,从其新颖的内容,体制的革新的戏剧化的艺术技巧等三个方面,探讨李渔对传统话本小说的继承与革新。
Li Yu was one of the most famous workers at the beginning of the Qing Dynasty.The Silent Drama is his first album of twelve short stories. In the text, the author discussed its inheritance and innovation from the traditional short stories from such aspects:the substantial contents,the special system,and the dramatic technique.
出处
《漳州师范学院学报（哲学社会科学版）》
2004年第2期65-70,共6页
Journal of Zhangzhou Teachers College:Philosophy and Social Sciences
关键词
《无声戏》
内容
体制
戏剧化
the Silent Drama
contents
system
the dramatic technique
