摘要
样板戏中塑造了许多革命女性形象,但她们并没有多少女性特征,而是作为阶级政治的符号、男性界定的符号而存在。她们的阶级、政治身份远远大于她们的性别身份。而且在这些女性身上显现出的多是男性特征。而男性革命者们不可能真正接受女性,因为“菲勒斯“中心话语影响深入骨髓。马恩的妇女观对革命的形象有一定的影响,但又被扭曲了。在样板戏中虽然想给人一种妇女翻身作主人的印象,但却将妇女置于阶级、政治的话语之下,让她们无法发出作为女性的独立声音。
There are many revolutionary female images in “model dramas”, but most of them lack the features of female. They existed only as a male-defined emblem of politics. Their identity of class and politics is far more important than their gender. Moreover, these females mostly demonstrate the features of male. Male revolutionaries could not have exerted any influences on the images of female. The“model dramas”attempt to give audience an impression of women′s liberation, but at the same time they put women under the discourse of class and politics, the result of which is that women′s independence is inhibited.
出处
《涪陵师范学院学报》
2004年第4期28-31,共4页
JOurnal of Fuling Teachers College
关键词
样板戏
女性形象
政治话语
符号
异化
model drama
female image
political discourse
emblem
dissimilation
