摘要
20世纪90年代以来的中国文学,呈现出一种众声喧哗的格局。另类写作就是其中的一种。卫慧、棉棉等"七十年代后"作家的另类写作为20世纪90年代以来的中国文学增添了一道新的风景线。这种现象的存在有其重要的现实原因。对此种另类写作姿态,我们既不能改变也无法回避,而只能正视和分析它。作者在对作品进行总体把握的基础上,探讨其出现的社会历史原因,并概括其具有创作视野极度狭窄、社会责任感严重丧失和审美低俗化等缺陷。
Chinese literature takes on a prosperous look from 1990's. The abnormal writing is popular at the time. The writing of the post-1970's writer, for example: Wei Hui, Mian Mian, increase many fresh things for Chinese literature. Its existence has important social background. We can't avoid it but to understand and analyze it when we meet with it. The dissertation discusses its social reasons and gets some conclusions that their works have many flaws that are narrow horizon, missing sense of social responsibility and vulgar aesthetic judgement.
出处
《学术探索》
2004年第5期118-121,共4页
Academic Exploration
关键词
卫慧
棉棉
另类写作
七十年代后
意义消解
Wei Hui
Mian Mian
Abnormal writing
Post-1970's
Vulgar aesthetic
