摘要
中国文学史上有一种带规律性的现象:许多文学高潮和文学名家的创作高峰都出现于国家的衰败、灭亡时期及其以后一定的时段,赵翼将其总结为"国家不幸诗家幸"。本文指出只有将国家不幸的苦难转化为艺术珍品的诗人才是幸运的,并探讨了实现这种转化的原因及此类文本的特点,揭示其"工"在何处。
There is such a regular phenomenon in the history of Chinese literature that many great literary pieces were created when the state was on the decline or was dying or after its collapse, which Mr. Zhao Yi summarized as 'The misery of the state leads to the emergence of great poets'. The author of this paper, having pointed out that only when the poets could turn the misery of the state into art treasures could they be regarded as 'fortunate', traces the causes and analyzes the traits of such texts.
出处
《云南民族大学学报（哲学社会科学版）》
CSSCI
2004年第3期104-109,共6页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
关键词
诗人
国家
赵翼
文学史
中国
政治题材
精神需要
忏悔意识
个人命运
literature of the Qing Dynasty
Zhao Yi
The misery of the state leads to the emergence of great poets
phenomenon
cause
textual trait
