摘要
意境说的重点,在于强调“境”,强调对于客观事物的再现。意境说所要求的“余味”、“言外之意”,不是作者有意的寄托、含蓄,而只是因写“境”真切而让读者流连忘返的艺术感染力。
The importment point of artistic conception theory is realm (境), reappearing of objective things. The pleasant impression or implication isn't reposing neither is ambiguity.
出处
《南阳师范学院学报》
CAS
2004年第2期60-64,共5页
Journal of Nanyang Normal University
