摘要
人们对梦的观念和认识 ,经历了由“混沌梦”(梦与现实互渗 )、“预示梦”(梦是神鬼的启示 )到“理性梦”(梦既不神秘也不奇怪 ,是可以认识的 )、“科学梦”(对梦进行科学探索、科学解释 )的发展过程。失去神秘性的梦具有作为观照对象的审美特征。“梦”作为一个抽象性的概念成为喻体 ,凝聚着丰富的强烈的审美意识。梦与现实的异与似是其设喻的基础。在以梦为喻的表达中 ,梦既能存留其基本的审美特征 ,也“随物赋形” ,具有多样的“性状”。以梦为喻是出于审美的需要。
The sense or knowledge about dream has gone through the dream of primal chaos (the dream and reality permeate each other ),indicating dream (the dream is the inspire of ghost and god ),the dream of reason (the dream is not mysterious or strange again,it can be realized) and the scientific dream (the dream is studied and explained in science ).The un-mysterious dream has the character of the aesthetic object.As an abstract concept,the subject image of the dream's metaphor has concentrated rich ,strong aesthetic sense . Being similar to the practical life and different from it ,the dream's metaphor could be form . In the metaphor ,the subject image of dream could be changed according to the object while it kept the aesthetic character of itself . The dream's metaphor is formed because of the aesthetic need .
出处
《湖北师范学院学报（哲学社会科学版）》
2004年第1期90-97,共8页
Journal of Hubei Normal University（Philosophy and Social Science）
关键词
预示
“客观”性
亲身体验
隐喻
审美
indicating
objectivity
practice and experience
metaphor
aesthetic
