摘要
17世纪欧洲绝对主义国家和新古典主义美学之间存在着直接的联系。新古典主义艺术崇尚自然、古典、模仿,其哲学根源是笛卡尔主义哲学。笛卡尔哲学建构了心物二元的构架;建立了心灵感情的理论;将理性主义和感觉主义结合起来,为新古典主义美学推出美感类型和艺术性格类型打下了理论基础。笛卡尔哲学的怀疑主义和批判精神,推动了科学思想的巨大进步,但对于宗教神学和国家权力的妥协,影响到新古典主义艺术对于绝对主义国家意志的顺从姿态。
th century European absolute state was directly related to neo-classical estheticism. Neo-classical art held dear nature, classicism and imitation. Its philosophical roots could be traced to Descartes′philosophy which established dualism and set up a theory of the mind and the sentiment, combining rationalism with sentimentalism. His works laid theoretical foundation for the rise of neo-classical estheticism. The spirit of doubt and criticism as found in Descartes′philosophy pushed forward a tremendous progress in scientific thought, However, because of its compromise to theology and state power, it led to the submission of new-classical art to absolute state will.
出处
《深圳大学学报（人文社会科学版）》
北大核心
2003年第5期38-45,共8页
Journal of Shenzhen University：Humanities & Social Sciences
