摘要
散文诗是20世纪中国文学中的一种特殊的抒情文体,它的文体特性长期被新诗人误解。散文诗几乎成为新诗初期的流行诗体,受到中国新诗人的极端重视。散文诗给了新诗人过多的文体自由,不仅造成新诗人对"散文美"的过度追求,还助长了新诗诗体建设史中长期存在的文体自由与文体法则的极端对抗,是百年新诗无法建立起相对定型的诗体的重要原因之一。用"散文诗"这个术语作为这种抒情文体的体裁名称是不准确的。
Prose-poetry was a special lyric style of literature in China in the 20^(th) century. Its literal style had long been misunderstood by the neo-poets. Prose-poetry had nearly become the popular verse during the early period of Neo-Poetry and was therefore cherished by the Chinese neo-poets. It gave neo-poets too much freedom in style. Consequently, the neo-poets had developed a strong love for 'the prosaic beauty of poetry,' and thus there had appeared the longstanding disagreements between free style and grammatical rules in the development of Neo-Poetry. That was why the Neo-Poetry, despite the development for a century, failed to establish a relatively set style. Besides, it was not right to use 'prose-poetry' as the name of this lyric style.
出处
《思想战线》
CSSCI
北大核心
2004年第2期76-81,共6页
Thinking
关键词
新诗
散文诗
文体特征
文体
诗体建设
Neo-Poetry
prose-poetry
stylistic features
style
the construction of the poetic style of Neo-Poetry
