摘要
“形似与神似”一直是美术作品的参照系。古往今来 ,不同的美学思想都会影响这个参照系的变化。本文便是从我国的美术发展史中不同时期的美学思想的导控下来探索形似与神似之间的比重与变化关系。
Likeness in form or spirit' has been a criterion of artistic works. Any different ideas would have a great influence on the changes of this criterion. This thesis is to explore the proportion and relationship between the form and spirit on basis of aesthetic guidance and control in the history of Chinese aesthetics.
出处
《云南师范大学学报（哲学社会科学版）》
2003年第4期50-54,共5页
Journal of Yunnan Normal University：Humanities and Social Sciences Edition
关键词
儒家
老庄
禅宗
美学
形似神似
confucianist
Lao-zi and Zhuang-zi
chan sect of Buddlism in China
aesthetics
'Likeness in form or spirit
