摘要
“采莲”题材起源于汉乐府《江南》。到了南朝,“采莲”就已经演变为由“窈窕佳人”演唱表演的暗示或直接表达男女情爱的歌舞曲。而后,“采莲”舞曲流行于宫廷及其它享乐场所。唐宋诗词中的“采莲”描写,大多数都是骚人墨客在欣赏妙龄少女歌舞时的创作。唐宋时期“采莲”舞曲的表演者大都是歌妓。唐宋诗词借用“采莲”类题材所要表达的大都是男女情爱。
The literary theme of 'cai lian' (it literally means collecting the fruit of lotus) originated from the folk songs Yue Fu of the Han dynasty, particularly the one called Jiangnan ( 'Southward to the Yangtze River') . Up to the Southern Dynasty, it developed into a kind of love song and dance, prevailing in the Court and other recreational spots. It was usually expressed in the Tang poems and the Song ci - poetry when the poets were enjoying young girls' singing and dancing, principally for the purpose of implying their love experience.
出处
《文学遗产》
CSSCI
北大核心
2003年第5期62-71,共10页
