摘要
人与世界的关系有三重维度,在人与自然的维度上我们引进了西方的科学;在人与社会的维度上,我们引进了西方的民主,唯独在人与自我的维度上,我们摒弃了西方的信仰。这直接造成20世纪中国美学在面对现实时,缺乏更高的超越的价值来给入以精神信仰的支撑。这一局限,集中表现在王国维、鲁迅的美学思想中,面对21世纪,中国美学应以生命、以爱为信仰,从而真正提升人的审美品位。
There are three dimensions in the relation between human being and the world. We introduced western science in the dimension of human being and nature, the western democracy in human being and the society, but we only defies western belief in human being and self. The latter has been resulting directly in that the Chinese aesthetics, in facing with the reality, lacks a higher value of transcending for people as a support for belief. Such a limitation is focused and expressed in the aesthetics of Wang Guowei and Lu Xun. In facing with the 21st century. Chinese aesthetics should believe in life, so as to have a truly better aesthetic level
出处
《学术月刊》
CSSCI
北大核心
2003年第10期73-79,共7页
Academic Monthly
