摘要
生态美学在美学的发展过程中最重要的突破就在于从“人类中心主义”过渡到“生态中心主义”。学术界对于这种“生态中心主义”的看法分歧甚大,有人批判其为“反人类”。这其实是一种误解,因为“生态中心主义”中的“生态平等”是人与万物在“生命环链”之中的相对平等,而不是绝对平等。因此,它实质上是对于人的生存权利的充分尊重与保护,是一种更具普适性的人道主义,所以,它不是“反人类”的。生态中心主义原则对于以海德格尔为代表的当代存在论美学突破“人类中心主义”走向“生态中心主义”起了决定性的作用。这就是海德格尔的“天地神人四方游戏说”美学观的提出。
In the course of the aesthetics development,the most important break-through lie in the transition to the'ecological in the center doctrine'ecological aestheticses from'human in the center doctrine'.Academia has much differences about the 'ecological centre doctrines',someone criticize it'antihuman'.This is a kind of misunderstandings actually,however,'equal ecology'in the'ecological centre doctrines'is the relatively equal in the'ring chain of life'for people and everything, not definitely equal. So, it is the fully respects and protecting of existence right to people in fact. It is a kind of humanitarianism of having universality even more,so, it is not 'antihuman'. The ecological doctrine of centre principles played an decisive role to aesthetics on the contemporary existence represented by Heidegger breaking through'human in the center doctrine'moving toward'ecological in the center doctrine'.This is the proposition of Heidegger's aesthstic view on'ideas about heaven,earth,immortal and human being playing
出处
《河南社会科学》
2003年第6期21-25,共5页
Henan Social Sciences
关键词
生态中心
人类中心
生命环链
相对平等
the ecological centre
the human centre
the ring chain of life
relatively equal
