摘要
中国古代的歌词创作,从上古迄清,源远流长。其“乐”,乃为“四方之乐”,而以中华本土音乐为主体;歌词文体,则齐言、杂言共存,民间歌词尤为如此,其“乐”、“词”之体,代有新变,为文人歌词体之母体。胡乐入华,先秦已始,此后历代皆有。胡乐虽丰富了中国音乐,但从未成为华乐之主流,民间音乐尤为如此。今存唐曲子词调,为胡乐者比例甚少,今学界流行的“胡乐入华而词生”说是不符合历史事实的。词体之发生,乃是唐代中华民间歌曲音乐和语言双双发展的水到渠成。“胡乐入华而词生”说的错误根源在其学术路径和学理的失误。
The classical Chinese poetry and songs were based on Chinese music, which was called 'the music in all directions as well; their words were either equally lengthy or not, especially concerning the folklore, which came to be the source of literary ci - poetry. There fore, the literary genre of ci - poetry was brought about mainly by classical Chinese music and poetry. The assertion that ci - poetry came out of the introduction of foreign music is not correct.
出处
《文学遗产》
CSSCI
北大核心
2003年第6期60-80,共21页
关键词
歌词创作
词体
华乐
胡乐
燕乐
唐代
曲子词
民间音乐
Chinese music, foreign music, Chinese music for amusement, the literary genre of ci - poetry
