摘要
从"生态文艺学"的学科命名入手,围绕生态文艺学的理论标识、独特内涵、哲学基础与生态美学建构等问题,反问人类中心主义观念,反思生态文艺学在中国的后续发展之可能性,提出了生态文艺学作为交叉学科,是从生态学的宏观视野出发的研究文艺与宇宙生态系统关系的学科,又从生态的角度看文学批评,反思表现论,借鉴摹仿论,强调生态高于审美,审美服从生态,生态与审美的交流与互动,从而创造"以物观物"状态的美学实践形式。
Starting from the terming of 'the theory of ecological literature and art', the article questions human-centrism and reflects on the possibility of the later development of the theory of ecological literature and art in China, focusing on its theoretic marks, unique connotations, philosophical base and the construction of ecological aesthetics, etc. It put forwards that the subject, as an interdisciplinary subject, researches on the relation between literature and art and universal ecological system from the macro-viewpoint of ecology. And meantime it checks literary criticism ecologically, pondering deeply over the theory of expression and learning from the theory of imitation, and emphasizes the superiority of ecology over aesthetics and their mutual communication.
出处
《安徽师范大学学报（社会科学版）》
2003年第6期658-665,共8页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
关键词
生态文艺学
表现论
摹仿论
交感诗学
生态美学
theory of ecological literature and art
theory of expression
theory of imitation
induction poetics
eco-aesthetics
