摘要
与南北朝乐府不同 ,明代北方民歌除了在初始时期对南方民歌具有导引的作用外 ,其后便很少受到人们的关注 ,而且南、北方民歌的分野 ,不是十分明显。但是 ,李梦阳“真诗在民间”的理论 ,离不开“汴省时曲”的启发 ;广为人知的《挂枝儿》等吴歌 ,也原是“北人长技”。事实上 ,在“人情”的共同作用下 ,南。
Different from the folk songs in the Northern and Southern Dynasties ,t he folk songs in North China of the Ming Dynasty,with the exception of their ear ly period of development when they played the role of guidence for South China f olk songs ,seldom attracted people's attention later.Moreover there is not any c lear difference between the folk songs of North China and South China.As a matte r of fact ,under the universal influence of humanity ,both the northern and sout hern folk songs very coordinately launched fierce attacks on old traditons.
出处
《盐城师范学院学报（人文社会科学版）》
2003年第3期29-34,共6页
Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)
