摘要
张平的叙事风范 ,在“晋军后”时代的山西作家群里 ,最具“主旋律”特色 ,这一点 ,秉承了“山药蛋派”老一辈作家紧扣时代脉搏 ,为百姓立言的创作品格 ;同时 ,他的叙事 ,在同代山西作家群里 ,又最富激情个性 ,这一点 ,与老一辈和同辈山西作家风格迥异。两点的结合 ,构成张平叙事风范突出的美学特征———追求阳刚美、崇高美。这种美学特征的追求 ,植根于黄土文明的腹地文化 ,在后现代文化的不断浸染中 ,凸显着“抵制场”的风采。
ZHANG Pings narrative style possesses outstandingly the features of 'Main Stream' among 'Post-Jin' period Shanxi writers. This feature is a successor of the local style by writers of older generations, who follow closely the times and spoke in their works for the people. Among the group of Shanxi writers, ZHANG Pings narrative style is most enthusiastic, which is completely different to that of Shanxi writers in older generation and contemporary time. The combination of the two form the outstanding aesthetic characteristic in ZHANG Pings narrative style — seeking the beauty in manhood and in loftiness. This seeking of aesthetic features is rooted in the inland loess plateau culture, and is of elegant demeanor against the surge of post-modern culture.
出处
《太原师范学院学报（社会科学版）》
2003年第1期80-82,共3页
Journal of Taiyuan Normal University:Social Science Edition
