摘要
随着文革期间的话语权更迭 ,时代选择了工农兵作为新的话语主体 ,同时采用集体言说参与符合当时意识形态所需的文学文体建构 ,这种修辞策略使话语主体在审美意义上自由出场的可能性被堵塞 。
During the Cultural Revolution (1966-1976),changes in the discourse power resulted in the appearance of new discourse subjects composed of workers, peasants and soldiers,coupled with collective discourse participation in the construction of literary stylistics required of the then ideology. This kind of rhetorical strategy turned out be condusive to the phenomenon of the absence of discourse subjects unique throuoghout the literary history at home and abroad,though it blocked the possible free presence of the discourse subjects in terms of aesthetic significance.
出处
《福建师范大学学报（哲学社会科学版）》
北大核心
2003年第2期59-67,共9页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基金
福建省社科"十五"规划项目"文学修辞学"研究成果之一 (项目编号 :2 0 0 1B111)
关键词
文革文学
修辞策略
话语主体
集体话语
Rhetorical strategy
discourse subjects
collective discourse
